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On the other hand, Asle Jonsson and the Norwegian councillors are adamant that the Man from Graudenz is Oluf, and the more Margrete speaks to him, the more she starts to wonder if he really is her son. A further element of doubt is introduced when she discovers that none of her councillors saw Oluf's corpse after his supposed death, as they were all too afraid of infection from the plague to open his coffin. In 1402, Margrete summons the leading magnates of the three kingdoms to Kalmar Castle to witness Erik's betrothal to Philippa of England, the daughter of King Henry IV of England. Philippa is accompanied by an English lord, William Bourcier, who has been tasked with negotiating the financial and political terms of the marriage agreement. Margrete is especially keen to establish a strong military alliance with England in order to deter attacks by the Union's German enemies, in particular the Teutonic Order, which rules Prussia and has also recently seized the Swedish island of Gotland. The Union [EU] is filled with political issues, national and personal that people want out of it.
Film review: Margrete – Queen of the North - InDaily
Film review: Margrete – Queen of the North.
Posted: Thu, 21 Jul 2022 07:00:00 GMT [source]
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SF Studios is planning to release the film during the third quarter of this year. Dyrholm stars opposite Søren Malling (“The Investigation”), Morten Hee Andersen (“Ride Upon the Storm”), Jakob Oftebro (“Kon-tiki”), Bjørn Floberg (“Out Stealing Horses”), Magnus Krepper (“Queen of Hearts”), and Thomas W. Gabrielsson (“A Royal Affair”). We're looking forward to Cannes and the Muslim International Film Festival. The girl (Nicole Rosney) with the big concerned eyes, dirty face, and crown on her head will become Margrete (Trine Dyrholm), creator of the Kalmar Union, which lasted for 126 years and braided together Denmark, Norway, and Sweden in unprecedented peace.
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One gets hold of a production designer like Søren Schwartzberg and a cinematographer like Rasmus Videbæk. Then one starts to draw every location, then build every interior that you see, except for two Czech castles where we used a staircase and some other small things. To further solidify her position and to help stave off a potential invasion from Germany, a marriage has been arranged between Erik and England’s Princess Philippa that will help create a new alliance. On the eve of the wedding, just as negotiations regarding the dowry have kicked into high gear, things take a turn when a man (Jakob Oftebro) arrives in court proclaiming that he, in fact, is the real King Oluf and therefore the true ruler of the land.
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We’d go out to buy takeaway and then go back to the basement of the hotel where we were allowed to eat together, and it made it special. I agree with your thought that it’s a place we need to go, to be there together and build a strong spirit, so we can be strong spiritual people. Otherwise, it’ll be two dimensional and that’s very sad. But the queen’s gambit is derailed with the arrival of a man (Jakob Oftebro) claiming to be her biological son, Olaf, believed to have died 15 years earlier. Margrete (masterfully portrayed by Trine Dyrholm), who reigned from the late 1380s until her death in 1412, was known as a wise and just leader who pulled off what her male counterparts couldn’t — the establishment of a long-lasting peaceful alliance between Denmark, Norway and Sweden. The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic.
Director Charlotte Sieling and Actress Trine Dyrholm on Historic Nordic Mystery ‘Margrete: Queen of the North’
This first premiered at the Norwegian Film Festival, and opened in Denmark in September. Goldwyn Films releases Margrete - Queen of the North direct-to-VOD in the US on December 17th, 2021. Much of this emotional tug-of-war is played out in atmospherically lit indoor compositions, which evoke a painterly, classical feel. What elevates the film from a run-of-the-mill period drama is Trine Dyrholm’s masterfully understated performance as the tormented queen. Her Margrete has no need to shout and weep to convey her turmoil; a mere gaze is enough to articulate the dilemma of having to put collective needs over personal desires.
It is implied that, with Scandinavian unity restored, the Teutonic Order calls off its planned invasion. Margrete eventually has a flash of inspiration and realises that the Man from Graudenz's story about an attempt on his life might be the root of the rumours that she had her son killed. She never gave any such order, and there is only one other person who would have had the authority to do so in her stead. She confronts Peder, who admits that he ordered Oluf's retainer to murder him and explains that he acted for the greater good, as Oluf would never have been an acceptable ruler for the Swedes in the way Margrete has been. It was therefore necessary to get rid of Oluf so that Margrete could retain power in Denmark-Norway and then take control of Sweden as well, thereby completing the Kalmar Union and finally bringing peace to Scandinavia.
Production
The ensemble consists of a Northern who-is-who, where Trine Dyrholm is given the top honour, and also the responsibility, to hold things together. Until Trine one day looked into my eyes at some little gathering… I didn’t know her that well before, but we ran into each other now and then and had good chats. It sounds spaced out, but I sometimes feel Margrete’s spirit hovering over this project, the way things turned out, the people who came on board, the way we got some important things done before the pandemic outbreak, including the financing.
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Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the Centers for Disease Control and Prevention and local health officials. With a big budget by Scandinavian standards, “Margrete – Queen of the North” marks the first biopic movie about Margrete the First, a woman ahead of her time who sacrificed herself completely for her vision and for her countries. “Margrete -Queen of the North” is one of the titles set to be presented in the work in progress section at Goteborg’s virtual Nordic Film Market. And then one thing we definitely agreed on was that we couldn’t cheat in terms of the time. I didn’t know so much about my hair and makeup woman [AnnaCarin Lock], I didn’t know she was a nerd about braiding.
At the time he had been seventeen years old, just about to come of age and take over rule of the two kingdoms from his mother, and ever since the queen's enemies have spread dark rumours that she had him murdered in order to retain power herself. Margrete assures Asle that her son is dead, but he insists that he recognises the man as Oluf. This incendiary news quickly spreads, and so Margrete orders Asle to bring the man to Kalmar so that the matter can be put to rest. Meanwhile, Margrete grows suspicious of Raberlin, a German merchant present at the feast, and orders her Swedish retainer Jakob Nilsson to follow him when he returns to Prussia. It was for the bigger cause, our film, and all the actors said yes to being there for five weeks, even if they were shooting for five or nine days, which isn’t normal. You usually go back and forth, but we talked about political issues and shared personal things, and it made a strong impact on all of us who were part of this film.
Forty years later, and Margrete, now queen, has successfully united Denmark, Norway and Sweden under her rule, thereby founding the Kalmar Union and bringing a decade of peace to a region hitherto wracked by constant warfare. It was one of the largest productions in the history of Danish cinema, enjoying the largest budget ever for a Danish-language feature film.[4][5] It premiered on 16 September 2021. As we age, the emotions a character experiences, such as pain, joy, hope, and despair resonate more strongly with us. Whereas to our younger selves, these were simply dramatic concepts. This makes the experience of watching films uncomfortable because we sense and identify with realism. But her reign also saw a bizarre mystery in the Scandinavian region, which forms the emotional beating heart of this stately film.
The world is now in total chaos, and we sit in our different countries and we’re nervous about what’s happening, and maybe we’re going back to isolation. We can sit here and talk on zoom, and watch a lot of films on the computer. What we need to do is to communicate, share, reflect and understand what life is about.
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